Chris and a very special guest see what’s behind OceanVeil’s diaphanous drapes.
Disclaimer: The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.
Spoiler Warning for discussion of the series ahead.
Alright, work email, let’s see what the boss has on the TWIA docket for tonight. Hm, OceanVeil? A hentai streaming service? Fair enough, I’ve looked at plenty of smut for the Manga Guide, but how could I handle this? Coop’s taking the week off, and I’m pretty sure Steve is still questioning me after the incest column. He and Lucas just rounded up both this season’s isekai and rom-coms. I can’t imagine how a guy settling in to look at this sort of stuff solo would come across to the readership…Wait, what’s this?

© Re:mimu/Suiseisha Inc.
“PS: I’m sending in someone with a specific set of skills to help you with this assignment.” Huh, I wonder who that could be.
—this goes here… and that…
… Aha! It worked! Chris! I came from This Week in Games to tell you, there’s something we must do!

© Studio Trigger/Tsuburaya Productions

A mystery, to be sure, but something tells me it’s not one of the impenetrable variety.
There’s a legal hentai streaming site now?!


It’s easy (and fun) to make jokes, but this represents a significant step, given the uneven history of hentai up to this point, especially when released in the West! Worth covering from a purely academic standpoint, of course.
There’s a lot of history to ero-anime and ero-manga, and many big artists in the anime industry’s history have dabbled in it. Masami Ōbari, who recently helmed the amazing Brave Bang Bravern! series, also directed a few ero-OVAs, including Viper GTS and Marine a Go Go. Satoshi Urushihara, who’s been in all kinds of productions over the years (he even did some animation for the 1980s Transformers movie!) not only headlined the famous (and luxuriously-animated) Another Lady Innocent, but also does pin-ups for ero-manga magazines to this day. More than a few mangaka for mainstream stuff like Food Wars! or the Spice and Wolf manga have works of erotica to their names—and some don’t even hide it behind a pseudonym.
I won’t say Xenoblade Chronicles character designer Masatsugu Saitō is the same artist as Wanna Do It? artist saitom, I’m just saying I’ve never seen them in the same room together because one might accuse the other of copying their style.


© Ryuta Amazume 2008, 2009, 2010
Talking about Spice and Wolf in this context, people are wondering what else the studio behind the 2008 anime has been up to and continues to do. Art styles are recognizable.

(Not gonna say it, not gonna say it…) Ahem. So, anyway, as you said, the ero-anime/manga industry is… not doing so hot in the U.S.? And we can’t even blame it on the tariffs, the industry itself is hanging by a thread. God bless the folks at Fakku, J18, and irodori, because they’re putting in a great deal of effort to license and release ero-manga— and they go through a ton of hoops to get those physical copies printed! But ero-anime? Oof. That’s in a rougher space. About the only major studio that still handles the stuff is Media Blasters—and Yara Naika, bless their heart, can only do so much.

© Toshio Maeda/TFC. All Rights Reserved.
This leads into the broader subject of the current state of hentai anime overall, which, as you alluded to, is spotty. Production simply isn’t happening for lavishly animated multi-volume OVAs like the aforementioned Bible Black. You still sometimes see something like a new adaptation of genre icon Rance, but for the most part, glancing at the Japanese pre-order side, the releases are shorter, simpler affairs from a core few studios.
It’s disappointing! It’s not even that things aren’t on the level of Another Lady Innocent—Urushihara famously bankrupted a studio with that one, it just wasn’t sustainable. But most hentai OVAs are now under 30 minutes; many are as short as eight minutes, with animation that resembles a cheap motion comic.
Between the weak yen and piracy having crippled the industry, there isn’t enough money to justify more “lavish” productions like Kanojo × Kanojo × Kanojo or Kuroinu. And where a lot of these ero-OVAs tended to tie in to fairly-big ero-manga or ero VNs, these days most productions will cover, like… a single chapter of an ero-manga.

© Taichi Kawazoe/SQUARE ENIX/”Immoral Guild” Production Committee
A compromise, something of a necessary one, and even some capital-H Hentai have taken to utilizing!
OceanVeil’s whole bit is that it has a bunch of shows up for free. But you’ll notice these episodes are positively bite-sized—less than 10 minutes. That’s because the full episodes are hidden behind a paywall—and they involve sex! Still not quite 10 minutes an episode, but still. A lot of these feel like animating a weekly newspaper strip, only with boning involved. It works because, at least, the stories are somewhat intriguing.

If these episodes are as short as you say, there better at least be a lot of them.

If I were a cynic, I’d say they’re trying to obscure the fairly limited selection they’re giving you for that thirteen beans a month. But hey, they’ve got simulcasts! I wonder if Lynzee would accept any last-minute uncouth additions to the Preview Guide…

© Re:mimu/Suiseisha Inc

© 松本あやか / Suiseisha Inc.
I won’t be too much of a doomer and wag my finger at folks for stuff. Still, getting people to pay for porn is rough—a lot of people just straight up don’t value the work enough (and like finding excuses not to do it). Arguably, OceanVeil isn’t helping themselves with their promotions—again, I had no idea that the likes of Energy Kyouka was even licensed and available on a legal streaming service until I was scrolling through the page. Energy Kyouka is no Kuroinu, but an acquisition like that feels like it ought to be a bigger deal?
I remember when Yara Naika got their start with Media Blasters, they put a ton of work into reaching out to fans and polling them for what they’d like to see licensed. And while there was a lot that they couldn’t do (like the Taimanin OVAs just aren’t on the table), Yara did an amazing job of walking the tightrope of being honest about limitations and obstacles without giving people too much information, while also encouraging folks to be open to The Powers That Be™ about their love and support of ero-OVAs. Because as it turns out, if you build it and people don’t come, nobody else is going to bother!

© 松本あやか / Suiseisha Inc.

© 松本あやか / Suiseisha Inc.
…which is to say that’s probably enough foreplay and it’s finally time to actually dive into why people are really here and talk about a few of these series. Look, we said they were short, we had to buffer things out somehow.

© Junichi Yamakawa/Bungaku Ito × Studio Leo
A good bit of fandom insight from OceanVeil is that they had the infamous OVA adaptation of Kuso Miso Technique (the faces from which you’ve likely seen on memes from all over the Internet for decades by now). It’s like Fakku having gone out of their way to get Tiny Boobs, Giant Tits History (a.k.a., “the one with the “MEGA MILK” shirt”). You have to speak your audience’s language!

© Junichi Yamakawa/Bungaku Ito × Studio Leo

© Junichi Yamakawa/Bungaku Ito × Studio Leo
It’s also one of the many short entries that make up this selection, meaning it’s not too hard for audiences to get a general idea of most offerings. “Basic conceptual preamble before characters just kinda hook up and hit it for a few minutes” describes a large swath of these choices.

© 松本あやか / Suiseisha Inc.

© 松本あやか / Suiseisha Inc.
Normally, that kind of synopsis only really covers the overarching plot of a series—but I just covered the entirety of the first episode right there.

© トヨ/Suiseisha Inc.
The time limitations put a damper on all elements of a series like this. The two episodes released so far have barely enough time to build chemistry between the two leads (a key feature of any media like this, especially BL), with the sex not lasting long enough to satisfy anyone.

© トヨ/Suiseisha Inc.
Just kind of a basic boys-love shrug.

© Re:mimu/Suiseisha Inc

© Re:mimu/Suiseisha Inc.
If this were a generally airing seasonal villainess isekai series, it would fall short of the mark, but as a show that held my attention between animated sex scenes, it functioned.

© トヨ/Suiseisha Inc.

© トヨ/Suiseisha Inc.

© トヨ/Suiseisha Inc.
There oughta be lesbians cleaning up in this alternate universe! But of course this is the straightest of low-effort dude fantasies, so even the cool, confident sports girlfriend turns demure once the dick comes out.

© トヨ/Suiseisha Inc.

© トヨ/Suiseisha Inc.
My bar for entry for this one was “Must be better than World’s End Harem,” and by actually being able to see the screen, this one won by a landslide. I never said that was a high bar!

© トヨ/Suiseisha Inc.
Cool, I wasn’t planning on sleeping anyway.

© Toei Company
At least you and I can both agree with Kamen Rider Rogue on this.

© Studio Mausu/Suiseisha/Rabbit Gate
Speaking of kids’ shows, Kamen Rider, transformations, and tortured segues let me bring up one of my picks from OceanVeil’s funbag grab-bag.

© 織島ユポポ/Suiseisha Inc.
That is, if you know me and my preferences in hot anime people, you know that the subtly titled Fucked by My Best Friend was already on my radar for, ahem, reasons.
Those aren’t twins, are they…

© 織島ユポポ/Suiseisha Inc.

© 織島ユポポ/Suiseisha Inc.
Unfortunately, despite its loftily ambitious premise, I wanted to like Best Friend more than I did. It’s got an odd mix of homoerotic misogyny even as it’s exploring the idea of dudes who have been waiting for an excuse to close the five-foot gap in the hot tub.

© 織島ユポポ/Suiseisha Inc.

© 織島ユポポ/Suiseisha Inc.
I do appreciate it being one of the vanishingly rare bisexuality embracing hentai, though.
(Don’t bring it up, don’t bring it up) … Yeah, what’s up with that?
Provided, a lot of that is likely because of audiences: a lot of guys watching porn likely have hang-ups about guys. I think there’s a big discussion to be had here about myriad sexual orientations and how well hentai can appeal to them. I once had a great conversation with someone from Fakku at a convention about the lack of hentai featuring transmasculine characters.

© 織島ユポポ/Suiseisha Inc.
Now, this also leads to a point I noticed about OceanVeil’s selection: it has a variety of straight-guy-aimed material, otome fantasies, and plenty of BL, but there seems to be nothing on the yuri front. Granted, this is an issue with the broader hentai ecosystem we discussed. I can’t imagine the license for something like Shoujo Sect could have been that expensive.

© 2006 MS PICTURES 一切の無断転載を禁止します

© 2006 MS PICTURES 一切の無断転載を禁止します
This is one of those don’t let “perfect” be the enemy of “good”‘ issues that I wanted to be careful with, because I’ve seen how fans of hentai and tokusatsu get when something gets licensed that isn’t their baby. The issues with OceanVeil’s features should be at the top of its list for update and repair. But licenses are a bit trickier because I understand there’s a lot of red tape to be crossed.
Fair point, and as I indicated, the larger issue is that there just isn’t that much yuri hentai, period.

© 2018 Enokippu/Selfish
I don’t know if this can save hentai with a streaming service in an anime bubble that already feels ready to burst anytime soon, but even with my many caveats about OceanVeil, I find it hard to fault them for trying.
The anime industry as a whole is in a bad position due to the overwhelming amount being produced (far too much for any person to watch in a reasonable timeframe) and the miserable pay. And it’s only harder to get an erotic venture off the ground, no less in America, where even payment processors can be a pain and a half. Never mind being able to pay for stuff on Fakku or irodori with PayPal (because you can’t), but you can’t even use PayPal to buy stuff abroad on Booth!
They’ve started IP blocking content on DLsite, just to give folks an idea of how bad it’s getting.
There’s a lot to talk about when it comes to ero-manga or ero-anime besides the boning because the folks working on it come from all over and have all kinds of wild inspirations, like Butcha-U’s love of Hooters or Chiba Toshiro and (according to what he’s told me on Twitter) his love of American superheroes and ’90s American supermodels. And part of what drew a lot of fans into hentai—or, at least, what drew people into hentai during the ’00s—was how in-depth the story could be. Even if a visual novel were condensed into three to five episodes.
Chris, help me out here, I’m this close to hijacking this column and going on a Moonlight Lady spiel—!

© PinkPineapple/Orbit Co., Ltd.

Now that you’re done with Xenoblade 3, you might have time for any number of these that don’t have anything to do with Carnelian!

© トヨ/Suiseisha Inc.
I think many people have a genuine interest in seeing hentai thrive in the U.S.. While I think things are going to get worse before they get better for the anime industry, erotic and otherwise, fans can do a lot by trying to appeal to The Powers That Be™. Let people know when you buy their stuff, join their Discord, and all that. For God’s sake, support the official release. And whenever possible, let the folks in Japan know that you enjoy their work. My personal experiences aren’t everyone’s, but Japanese artists love the support, and it makes them happy to see people abroad enjoying their work and supporting it.
The real secret with hentai, as with good sex, is communication.

© トヨ/Suiseisha Inc.
